In fact, it has a similar vibe to the SP-1200. It’s similar in sound to the famous DX7 but grittier and tougher, due to its overdrive-able DAC. The Yamaha DX100 is a miniature FM synth from the mid 80s. The DX100: 80s FM Synthesis at its Grittiest In our opinion, the SH-5 is one of this company’s greatest mono synths of all time. And while these synths are all excellent sounding in their own right, the SH-5 is undoubtedly the King, with its huge oscillators, multimode filters, extensive modulation possibilities and a brilliant mixer at the heart of it all. There’s the SH-101, SH1, SH-3A, SH-7… the list goes on. The top line of the revolutionary SH series is rarely talked about, yet it includes some of the most powerful synthesizers of all time. The Micro comes with a fully featured, three page Kontakt GUI instrument – including an arpeggiator which allows you to record in a pattern with your keyboard. It’s an aged, slightly unstable American VCO – powerful, rich, and capable of everything from thick and smooth to downright dirty and brash. And honestly, its oscillator and filter have 1000x more character than any modern Moog, including the Voyager. The Micromoog is a seriously underrated vintage synth, containing virtually the same filter as the original Minimoog. The patches are huge – wide open, and lush, with thick bass, juicy resonance, unique DC source modulation (which makes it sound like the circuits are dying in the most beautiful fashion), linear FM and classic sync. Not even the Jupiters can compete with this thing in terms of sound. Our most popular synth sampling to date, the Voyetra Eight is a rare, polyphonic 8 voice analog rack synth developed in New York in the early 80s that many people regard as one of the best sounding analog synthesizers ever built. The Voyetra: Rare, Epic Sounding 80s Polysynth
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